The Elder Scrolls is an action role-playing open world videogame developed by Bethesda Game Studios. The games are known to be a richly detailed in their story, environment, character development, and game lore. The Elder Scrolls series features an expansive world called Nirn and a continent where all of the games are based called Tamriel. Elder Scrolls is described as a fantasy world consisting of multiple cultures which are inspired from real world sources from political viewpoints, religious beliefs, racism, warfare, economics, food, costumes and much more. It also borrowed concepts from other fantasy literary works such as elves, orcs, mythical creatures, medieval cities, and magic. It also showcases various races other than humans complete with their own languages, dialects, and cultures. In this world, there are multitudes of unique flora and fauna to be discovered, and multitudes more of different substances. And there is one substance from this world that signifies and simulates our own world’s problem with addiction. The item is called Skooma.
What is an Skooma?
Skooma is a potion produced from moon sugar. It is a highly addictive narcotic, and its users pass through bouts of euphoria followed by protracted lethargy. It is smoked in a special pipe; the crystals are placed in a small dish and heated. The gas produced is bubbled through water in the pipe to cool it as it is inhaled. The Skooma is distilled from a substance called Moon Sugar which is a narcotic sacred to the cat-like people called Khajiit. But the potion called skooma was perfected by the Dunmeri People (Dark Elves) by mixing the Moon Sugar with the Nightshade plant. When used, Skooma increases the user’s strength, speed, and restores stamina. Some of the more addictive effects of the drug are bouts of euphoria, protracted lethargy, loss of voice, minor fits, and possibly death. Because of its dangerous side effects, skooma is banned from various provinces in Tamriel. There is Book in the game called Confessions of a Dunmer Skooma-Eater by Tilse Sendas which iterates some of the problems and social stigma against a person addicted to skooma.
A narrative of a cured skooma addict:
“Nothing is more revolting to Dunmer feeling than the sorry spectacle of another Dunmer enslaved by that derivative moon-sugar known as ‘skooma.’ And nothing is less appetising than listening to the pathetic tales of humiliation and degradation associated with a victim of this addictive drug.
Why, then, do I force myself upon you with this extended and detailed account of my sins and sorrows?
Because I hope that by telling my tale, the hope of redemption from this sorry state shall be more widely known. And because I hope that others who have also fallen into the sorry state of skooma addiction may therefore hear of my story, of how I fell into despair, and how I once again found myself and freed myself from my own self-imposed chains. Because it is widely known to all Khajiit, who may be expected to know, that there is no cure for addiction to skooma, that once a slave to skooma, always a slave to skooma. Because this is widely known, it is taken to be true. But it is not true, and I am living proof. There is no miracle cure. There is no potion to be taken. There is no magical incantation which frees you from the thrill of skooma running through your blood. But it is through the understanding of that thrill, and the acceptance of the lust within oneself for that thrill, and the casting aside of the shame that the thrillseeker feels when he cannot set aside what becomes in the end his only comfort and pleasure, it is through this knowledge and understanding that the victim comes to the place where choices may be made, where despair and hope may be separated. In short, only knowledge and acceptance can deliver into the slave’s hands the key that opens his shackles and sets him free.
The narrative of Tilse Sendas’ tale carries the reader through the stages of early infatuation, ecstatic obsession, and profound degradation of her addiction, and in the course of the story she subtly enables the reader to discover that the hopelessness of the addict comes from the addict’s own unconscious assumption that only a helpless and foolish person could become addicted to skooma, and that, consequently, no such helpless and foolish person could ever achieve the admittedly difficult task of renouncing, once tasted, the exquisite delights of the skooma. Tilse Sendas shows that once the addict overcomes the burden of her own self-despising, that there is the possibility of redemption. And, against all of society’s dearly held beliefs, she says that it is not altogether clear that the addict SHOULD renounce the sugar, but that it is only one of the choices that the skooma addict must make. Tilse Sendas’ casual proposition that skooma addiction is not necessarily a sign of moral and personal weakness is essential to her thesis that a cure is possible, but it has not endeared her or her book to the upright and conservative elements of Dunmer society.”
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